Following the
conclusion of the actual playing there was often an extensive rehash
of the hands that had been played. Shiras would defend his playing,
which was often queer and erratic, and I recall that Kunstman was
almost lived in his assessment of Shiras’ playing. I’ve often
wondered how much of Shell’s time was absorbed and wasted in these
post-game discussions.
When I started
kibitzing was when honor count
was the way used to evaluate a hand — it was only later that
Goren’s point
came into favor. But it was through watching these noontime games
that my knowledge of the game developed and my liking of it as a card
game.
After Jean and I
were married I participated occasionally in the Shell tournaments
sponsored by the Shell Development Recreational association. I recall
playing in these with Jean as a partner, and also with Dwight
Johnston. The latter was actually in a tournament outside of Shell
and we actually garnered a few master-points. I believe I have them tucked away somewhere as a memento of the
evening. I’m sure that they will not be joined by any further
master-points.
Although I like to
play bridge it is just that — “play” and not the serious
business that really avid players make of it. For one thing, although
I have a fair idea of the conventions as to bidding, I lack the fine
points and do not have the experience to cope with unusual situations
or to make lead-indicating signals in the bidding process. My
technique on the play of a hand, either as a declarer or defensively,
is even more fragmentary and my ability to keep a count as to what
has been played in the course of the play of a hand is quite limited.
Thus a substantial fraction of the time I bid and play is sort of by
intuition.
All of this is in
part I think, the result of the kind of bridge I was trained in
initially — the Shell noontime contests. The level of bidding and
play there were pretty much on the level of my bridge-playing skills.
Always present at the Shell games was a considerable level of
psychological play (almost as in poker) and this was the result of
the players involved and the relationships between them. There was
also the factor that the payers were acquainted with the type of play
characteristics of the other players so that in certain situations
the play was dictated not so much by the rules of the game but by the
knowledge of what the players would do in certain situations.
Typically there was as much glee expressed when an opponent succumbed
to a psychological ploy as when the technically correct play was
done. All of this rubbed off on me so that my type of play is
suitable for friendly non-competitive situations but not where the
level of play is serious.
In Ashland Jean and
I used to play once a week or so with a couple from church who lived
nearby. Their level of play (particularly of the husband) was similar
to Jean’s and mine; the lady’s was somewhat erratic. These were
pleasant social evenings but they were discontinued when Jean
developed difficulty with going to sleep after them. Since then we
tended to keep our evenings quiet and peaceful. Even the kind of
social contact involved with an evening of bridge and table
conversation was to be avoided if Jean was to be able to get to sleep
easily afterward.
For awhile I also
played duplicate bridge with an Ashland acquaintance, Colver
Anderson. This was in a league that had a regular Friday session of
play at Ashland’s recreation department hall. It was congenial
enough and we continued to participate until a hand occurred in which
an opponent objected to my bidding as not following bid conventions.
It was a hand of somewhat unusual character so I had had to
compromise in what I bid. The opponent called the tournament director
over to review the situation. No action was taken but the whole
episode left a very bad impression on men and I told Colver that I
was not interested in continuing. Since then I don’t think I have
played bridge at all.
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